By Art Shiver
Clementine Hunter (1887--1988) painted on a daily basis from the Nineteen Thirties till numerous days prior to her dying at age a hundred and one. As a prepare dinner and household servant at Louisiana's Melrose Plantation, she painted on thousands of items on hand round her -- glass snuff bottles, discarded roofing shingles, ironing forums -- in addition to on canvas. She produced among 5 and 10000 work, together with her such a lot formidable paintings, the African residence work of art. Scenes of cotton planting and harvesting, washdays, weddings, baptisms, funerals, Saturday evening revelry, and zinnias depict reports of daily plantation existence alongside the Cane River. greater than a private checklist of Hunter's lifestyles, her work additionally mirror the social, fabric, and cultural elements of the area's greater African American neighborhood. Drawing on archival examine, interviews, own records, and a detailed courting with the artist, paintings Shiver and Tom Whitehead supply the 1st complete biography of this self-taught painter, who attracted the eye of the realm. Shiver and Whitehead hint Hunter's adolescence, her encounters at Melrose with artists and writers, reminiscent of Alberta Kinsey and Lyle Saxon, and the position performed via eccentric François Mignon, who inspired and promoted her paintings. The authors contain infrequent work and pictures to demonstrate Hunter's inventive procedure and speak about the evolution of her kind. The publication additionally highlights Hunter's effect at the glossy paintings global and gives perception right into a decades-long forgery operation that Tom Whitehead helped discover. This contemporary cognizance strengthened the individuality of Hunter's paintings and proven her position within the foreign paintings neighborhood, which is still encouraged by means of the existence and paintings of Clementine Hunter.
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Extra resources for Clementine Hunter : Her Life and Art
15. François Mignon, ca. 1972, holds a copy of his book Plantation Memo: Plantation Life in Louisiana. thomas n. whitehead. 34 The Remarkable and Enigmatic Mr. Mignon hand. She wrote numerous letters begging Mignon to leave New York City and come for an extended visit at Melrose. This correspondence took place over several months, sometimes exchanging a letter a day. He eventually accepted her invitation for a return visit to the Henry’s plantation. He arrived in the fall of 1939 with plans to stay for six weeks.
Cammie g. henry research center, northwestern state university of louisiana. 27 Clementine Hunter husband died in 1917, Cammie Henry had six children to rear. With no apparent hesitation, she immediately took charge and successfully ran Melrose Plantation alone for thirty-one years. Cammie Henry is one of the few white people who figure in Hunter’s Melrose paintings. It is no wonder Hunter often painted images of women larger than those of men. Women always played an important role in Cane River history.
She became pregnant at a very early age and gave birth to a stillborn child. Word reached Melrose in February 1951 that Mary Frances had died. She was not yet twenty years old. While none of Mary Frances LaCour’s pictures is confirmed to have survived, students of Hunter’s art ponder whether Mary Frances painted some of the earliest works now attributed to Hunter. ”19 It is likely that LaCour’s paintings became comingled with those of Hunter’s earliest works. Hunter’s days as a field hand ended as she entered her fifth decade of life.